Megan markle birth photo glamour shot6/15/2023 And while the queen-in-waiting declined to appear in Vogue ahead of her wedding, she made her debut on the cover of the magazine’s June 2020 issue, which celebrated 100 years of British Vogue and coincided with a major National Portrait Gallery exhibition, an institution of which she is the royal patron.Ī watercolour portrait of Meghan Markle by Peter Blake. Sarah Burton at Alexander McQueen, Bruce Oldfield or Philippa Lepley – we’ve been gripped.” Of course, the now Princess of Wales wore McQueen – the beginning of an ongoing relationship with the house that most recently saw Burton’s team create Kate’s white Coronation gown. Every nuance will have been studied: the designer can’t be too fashiony, too exclusive, too traditional – and has to be British. “In an era when every outfit of the famous is forensically analysed, her wedding gown will semaphore a thousand messages about who Catherine Middleton is. “For us, it will be all about the dress,” Vogue wrote in a feature declaring the newly anointed Duchess of Cambridge a “princess for our time”. Vogue commissioned a trio of covers for Prince William’s wedding to Kate Middleton, with Lara Stone, Freja Beha Erichsen and Natalia Vodianova slipping into bridal gowns for the May 2011 issue. Getty Images 2011, Prince William and Catherine Middleton His depictions of the Battle of Britain confirmed his reputation as a unique chronicler of the twentieth century, and his works were a regular feature in Vogue.ĭiana, Princess of Wales, returning to Buckingham Palace following her wedding to Prince Charles in a gown by the Emanuels. Topolski moved to Britain in 1935 and first served the Crown as an official war artist. The Polish-born artist Feliks Topolski also delivered a pen-and-ink portrait of the ceremony at Westminster Abbey. Norman Hartnell, asked to contribute an appropriate design to Vogue, conjured several designs including an ivory satin dress in “the great tradition” with “Botticelli-like delicacy and richness, with pearl and crystal roses, wheat, orange blossom”. Princess Elizabeth’s dress was tailored according to a strict clothing allowance from which not even the royals were exempt. Carl Erickson 1947, Princess Elizabeth and Lt Philip Mountbattenįor Princess Elizabeth’s wedding, just years after the end of the Second World War and amid stringent rationing, Vogue focused less on the opulence of the bridal cortege and more on the tradition and joy of the occasion. Vogue was in raptures over Princess Marina of Greece and Denmark. Praise for her wedding dress was similarly appreciative: “the sum of that simple perfection which distinguishes her whole Molyneux trousseau, and which only a fine personal taste could have achieved”. She was cherished also for her cultured mind and artistic sensitivity. “How divinely tall she is, every inch a princess,” Vogue gushed of Horst’s black-and-white shots in the magazine, showing her “in a pose sculptural as her own Hellenic marbles, deep in thoughts…” Feted both for her glamorous origins (the “haunted, holy land of Greece”) and her affection for Britain, the marriage was described as a “sort of homecoming” for the 28-year-old princess who had enjoyed family visits to England as a child. 1934, Princess Marina and the Duke of Kentĭescribed by Vogue as “a classic princess”, Princess Marina inspired rapturous editorials, and a host of portraits by the likes of Cecil Beaton, Horst and Carl Erickson. Aldous Huxley was among the Vogue commentators on Elizabeth Bowes-Lyon’s wedding in 1923.
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